- Set Designer
Dylan trained in theatre design at the Liverpool Institute for Performing Arts, where he designed Despite the Monkey’s first production Pavlov.
Since then he has gone on to be a finalist in the 2017 Linbury prize for stage design for the Lyric Hammersmith and is a current recipient of the Royal Opera House bursary 2018-19.
Dylan’s previous credits include:
Debris (Liverpool Playhouse Studio); Mop the house: a short guide to vogue (Lighting design, Arena Theatre Wolverhampton); Pavlov (Production design, site specific); Particles (Lighting design, Liverpool Light Night 2017); Urinetown (Set design, Paul McCartney Auditorium); Giselle Reawakened (Lighting design, Paul McCartney Auditorium).