- Sound Designer
Fin trained as a Sound Designer and Engineer at LIPA, where he also developed an interest for immersive technologies.
Since graduating, Fin has worked as Sound #1 on a number of professional musicals.
Theatre credits include:
Debris (Liverpool Playhouse Studio); Return of the Soldier (Hope Mill Theatre, New Wolsey Theatre); Spamalot (UK Tour); Hair (The Vaults, and Hope Mill Theatre); 9 to 5 (Associate Sound Design, Floral Pavilion); Yank (Charing Cross Theatre); Cole (Sound Design, Sennheiser Studio Theatre); Pavlov (Self led, site specific in LIPA); Urinetown (Sound Design, Paul McCartney); Christmas Cracker (Sound Design, Hope Mill Theatre); Parade (Hope Mill Theatre); 13 (Sound Design, Paul McCartney Auditorium)